Depictions of Wythe

In an 1806 letter to the painter, Charles Willson Peale (1741 – 1827), Thomas Jefferson laments that he only has a "shade in profile" of his friend and mentor, George Wythe, "whose portrait was never taken."[1] Jefferson sent Peale a copy of the profile, from which a portrait was made by "filling the out line of your late friend Judge Wythe. Whether you may find it equally striking as to likeness I cannot say, for my remembrance has not furnished me with any Idea's of the form of his features, therefore it is all guess work."[2] The current location of Peale's portrait of Wythe is unknown, and it was probably dispersed with Jefferson's estate after his death.
Despite what Jefferson tells us, there is a portrait identified as Wythe—in minature—in the collection of the [R.W. Norton Art Gallery, in Shreveport, Louisiana, attributed to Henry Benbridge (1743 – 1812). It is a watercolor on ivory, 1½ inches tall by 1¼ wide, and depicts Wythe as a young man. A 1971 text on Benbridge published by the Smithsonian Institution's National Portrait Gallery, states, however: "Since the history of this portrait does not go back beyond 1941, it is suspect. The technique is not characteristically Benbridge."[3] This does not necessarily mean it is not an authentic portrait of Wythe.
Wythe's profile in shadow (or "shade," as Jefferson describes it) was taken twice: once, in 1804, by William Bache (1771 – 1845); and another at an earlier time in Wythe's life. William DuVal describes the two profiles in a letter to Thomas Jefferson in December, 1806, after Wythe's death: "The profile you have, will shew his appearance at that period of his Life, & the one I have, will exhibit a strong likeness a few years before his untimely Death"
Images of George Wythe
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Miniature, attributed to Henry Benbridge (c. 1770). Original at the R.W. Norton Art Gallery, Shreveport, Louisiana.
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Pencil sketch from life, by John Trumbull, in Williamsburg (1791). Image courtesy of the Colonial Williamsburg Foundation.
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William Bache silhouette (1804). From Shades of Our Ancestors, by Alice Van Leer Carrick (1928).
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William Satchwell Leney etching (1807). Original at the Virginia Historical Society.
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Detail from John Trumbull's painting, Declaration of Independence (1818). Original at the U.S. Capitol, Washington, D.C.
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J.B. Longacre etching (1823), after Leney. From John Sanderson's Biography of the Signers to the Declaration of Independence (vol. 2).
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Lossing illustration (1859). Image courtesy of the New York Public Library.
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William Bryan Hall (1868). Image courtesy of the New York Public Library.
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Brotherhead illustration (1872). From The Centennial Book of the Signers.
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John Ferguson Weir painting (1876), after John Trumbull. Image from History of the Portrait Collection, Independence National Historical Park, (2001). Original at Independence National Historical Park, Philadelphia.
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Erekson lithograph (1876). Original at the Library of Congress.
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Rosenthal, after Leney (1888). Image courtesy of the New York Public Library.
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From the National Cyclopædia of American Biography (1893).
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Portrait by William H. Crossman (1927), after John Trumbull. Original with the Colonial Williamsburg Foundation, Williamsburg, Virginia.
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Wolf Law Library portrait, College of William & Mary Law School, Williamsburg.
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Portrait by Eugenie DeLand Saugstad (1939), after Weir. Original with the Virginia Historical Society collections, currently on display at the Hampton History Museum, Hampton, Virginia.
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Marble bust by Felix de Weldon (1954), College of William & Mary Law School.
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Marble bust by Bryant Baker (1962). Original at the Virginia State Capitol, Library of Virginia art collection, Richmond, Virginia.
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Portrait by David Silvette (1979), College of William & Mary Law School.
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Bronze statue, by Gordon S. Kray (2000), College of William & Mary Law School.
See also
- ↑ [Jefferson to Charles Willson Peale, 22 November 1806], The Thomas Jefferson Papers, Series 1, General Correspondence, 1651-1827, Library of Congress.
- ↑ [Charles Willson Peale to Jefferson, 13 December 1806], The Thomas Jefferson Papers, Series 1, General Correspondence, 1651-1827, Library of Congress.
- ↑ Robert G. Stewart, Henry Benbridge (1743-1812): American Portrait Painter, (Washington, D.C.: Smithsonian Institution Press, 1971), 81.