Loan Exhibition of Portraits of the Signers: Difference between revisions
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convention on June 4. He was a member of the Ratification Convention of Virginia. This silhouette now hangs in the parlor of the former home of George Wythe in Williamsburg, Virginia, and it bears the stamp of "Peale's Museum." The following excerpt is from a letter that is displayed in the Wythe House, in which an interesting description is made of the method Peale used in making his silhouettes. "The famous Peale, the profile drawer, has just gone from here yesterday and I send you one of my blocks. You may get 4 profiles for ⅛ and if you get drawn twice he will let you have two blocks. The profiles show very well in frames which he sells for ⅔ a piece. The machine is very ingenious. You sit on a table and apply your left ear to a piece of wood scooped out like a spoon and he then draws a small bit of brass over all your face, which is connected with a small fine pin, which marks the paper. He then cuts out the profile with a pair of scissors and you put it on a bit of black silk or paper and it shows remarkably .... He is gone to Williamsburg, and I suppose will proceed to Richmond." The letter is dated September 29, 1803, and is addressed to Francis Jerdone, Providence Forge, Virginia. It is signed by Alex. Macaulay. | convention on June 4. He was a member of the Ratification Convention of Virginia. This silhouette now hangs in the parlor of the former home of George Wythe in Williamsburg, Virginia, and it bears the stamp of "Peale's Museum." The following excerpt is from a letter that is displayed in the Wythe House, in which an interesting description is made of the method Peale used in making his silhouettes. "The famous Peale, the profile drawer, has just gone from here yesterday and I send you one of my blocks. You may get 4 profiles for ⅛ and if you get drawn twice he will let you have two blocks. The profiles show very well in frames which he sells for ⅔ a piece. The machine is very ingenious. You sit on a table and apply your left ear to a piece of wood scooped out like a spoon and he then draws a small bit of brass over all your face, which is connected with a small fine pin, which marks the paper. He then cuts out the profile with a pair of scissors and you put it on a bit of black silk or paper and it shows remarkably.... He is gone to Williamsburg, and I suppose will proceed to Richmond." The letter is dated September 29, 1803, and is addressed to Francis Jerdone, Providence Forge, Virginia. It is signed by Alex. Macaulay. | ||
<div align="right">''Lent by The Wythe House,<br />Williamsburg, Virginia''</div> | <div align="right">''Lent by The Wythe House,<br />Williamsburg, Virginia''</div> | ||
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Revision as of 15:31, 16 September 2025

Introduction and summary.[1]
Chapter text, "GEORGE WYTHE (1726-1806)"
Page 169
224. GEORGE WYTHE (1726-1806)
By a member of the Peale FamilyGeorge Wythe was a lawyer, judge, legislator, and a professor of law at William and Mary College. He was a member of the Virginia House of Burgesses, and he disclosed his political attitude in the Stamp Act agitation by his fearless boldness in stating colonial rights. He was in the Continental Congress 1775-76, and he signed the Declaration of Independence, although absent when it was voted. He continued bis service in the State Legislature, and was active in making the changes necessary to adopt colonial conditions to those of independent statehood. He became Chancellor of Virginia in 1778. Through his Chancery reports and in his professorship at William and Mary College he became foremost in the establishment of American jurisprudence. He taught John Marshall (No. 125). As a Delegate to the Convention of 1787 he shared in the final shaping o[ the "Virginia Plan," but left the
Page 170
convention on June 4. He was a member of the Ratification Convention of Virginia. This silhouette now hangs in the parlor of the former home of George Wythe in Williamsburg, Virginia, and it bears the stamp of "Peale's Museum." The following excerpt is from a letter that is displayed in the Wythe House, in which an interesting description is made of the method Peale used in making his silhouettes. "The famous Peale, the profile drawer, has just gone from here yesterday and I send you one of my blocks. You may get 4 profiles for ⅛ and if you get drawn twice he will let you have two blocks. The profiles show very well in frames which he sells for ⅔ a piece. The machine is very ingenious. You sit on a table and apply your left ear to a piece of wood scooped out like a spoon and he then draws a small bit of brass over all your face, which is connected with a small fine pin, which marks the paper. He then cuts out the profile with a pair of scissors and you put it on a bit of black silk or paper and it shows remarkably.... He is gone to Williamsburg, and I suppose will proceed to Richmond." The letter is dated September 29, 1803, and is addressed to Francis Jerdone, Providence Forge, Virginia. It is signed by Alex. Macaulay.
Lent by The Wythe House,
Williamsburg, Virginia
See also
References
- ↑ Please footnote sources.
External links
- Read this book at Hathitrust.